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Available for the first time in English, Azaleas is a captivating collection of poems by a master of the early Korean modernist style. Published in 1925, Azaleas is the only collection Kim Sowol (1902-1934) produced during his brief life, yet he remains one of Korea's most beloved and well-known poets. His work is a delightful and sophisticated blend of the images, tonalities, and rhythms of traditional Korean folk songs with surprisingly modern forms and themes. Sowol is also known for his unique and sometimes unsettling perspective, expressed through loneliness, longing, and a creative use of dream imagery-a reflection of Sowol's engagement with French Symbolist poetry. Azaleas recounts the journey of a young Korean as he travels from the northern P'yongyang area near to the cosmopolitan capital of Seoul. Told through an array of voices, the poems describe the young man's actions as he leaves home, his experiences as a student and writer in Seoul, and his return north. Although considered a landmark of Korean literature, Azaleas speaks to readers from all cultures. An essay by Sowol's mentor, the poet Kim Ok, concludes the collection and provides vital insight into Sowol's work and life. This elegant translation by David R. McCann, an expert on modern Korean poetry, maintains the immediacy and richness of Sowol's work and shares with English-language readers the quiet beauty of a poet who continues to cast a powerful spell on generations of Korean readers.

Poetry.

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The general topic of this study is the literary status and function of the Qur ‘an, but the specific topic is its poetic status and function. Though not poetry in the strict Arabian and Islamic sense, it nonetheless displays and foregrounds several textual and pragmatic features, which are associated with decidedly poetic framing devices. Such poetic devices comprise, among others, various forms of recurrence, techniques of defamiliarization, semantic ambiguities, iconicity, entextualization, deictic volatility, self-referentiality, and cantillation. Drawing on an interdisciplinary conception of the poetic, a number of exploratory readings are undertaken to substantiate the poetic-aesthetic potential of the Qur ‘anic text, i.e. its ability to invoke a certain ’thick’ and heightened attention in the minds of its users. These readings are of course informed by the state of the art within Qur ‘anic studies, but they also integrate insights gained from ritual studies, anthropological linguistics, cognitive semantics, and various literary theories on enunciation, meta-textuality, and anxiety of influence.

Poetry

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Poetry

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Poetry

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Poetry